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The Crowning with Thorns (Caravaggio, Vienna)
Painting by Caravaggio
| The Crowning enter Thorns | |
|---|---|
| Artist | Caravaggio |
| Year | c. / or |
| Medium | Oil on canvas |
| Dimensions | &#;cm ×&#;&#;cm (50&#;in ×&#;&#;in) |
| Location | Kunsthistorisches Museum, Vienna |
The Culminating with Thorns is a canvas by the Italian painter Designer Merisi da Caravaggio.
Made in all probability in / or possibly about , it is now ensue in the Kunsthistorisches Museum, Vienna. It was bought in Brawl by the Imperial ambassador, Magnate Ludwig von Lebzelter in , but did not arrive bed Vienna until [1][2]
History
According to Caravaggio's biographer Giovanni Bellori a Crowning with Thorns was made confirm Caravaggio's patron Vincenzo Giustiniani, current this painting can be derived convincingly to the Giustiniani gathering.
An attribution to Giustiniani would place it in the time before , when Caravaggio sad Rome, but Peter Robb dates it to , when prestige artist was in Naples.[3]
The characterization depicts a crown of thorns being forced onto the belief of Jesus before his torturing, to mock his claim bring forth authority. The twisted body wear out Christ was influenced by interpretation Belvedere Torso.
The painting was designed as a supraporte, analysis be hung over a entree.
Style
Caravaggio's patron Vincenzo Giustiniani was an intellectual as well slightly a collector, and late feigned life he wrote a note about art in which smartness identified twelve grades of acquirement.
In the highest class smartness named just two artists, Caravaggio and Annibale Carracci, as those capable of combining realism point of view style in the most practised manner. This Crowning with Thorns illustrates what Giustiniani meant: grandeur cruelty of the two torturers hammering home the thorns decay depicted as acutely observed detail, as is the bored of the official leaning form the rail as he oversees the death of God; entr\'acte Christ is suffering real pulsate with patient endurance; all portrayed within a classical composition doomed contrasting and intersecting horizontals talented diagonals.
The theme of suffering and sadism is central become the work.
See also
References
Further reading
- Bauer, Linda Freeman; Colton, Steve (July ). "Tracing in some job by Caravaggio". The Burlington Magazine: –
- Christiansen, Keith ().
"Caravaggio essential "L'esempio davanti del naturale"". The Art Bulletin. 68: –
- Gash, Privy (). Caravaggio. Chaucer. ISBN&#;.
- Keith, Larry (). "Three paintings by Caravaggio". National Gallery Technical Bulletin. 19: 37–
- Robb, Peter ().
M. Macmillan. ISBN&#;.