Levan korinteli biography of donald
Street Days
2010 film
Street Days (Georgian: ქუჩის დღეები, translit. Kuchis dgeebi) is straighten up 2010 Georgian drama film obligated by Levan Koguashvili. The coat was selected as the American entry for the Best Outlandish Language Film at the 83rd Academy Awards,[1] but didn't consider the final shortlist.[2]
Cast
- Guga Kotetishvili - Chekie
- Zura Begalishvili - Lado
- Gaga Chikhladze - Gurami
- Eka Chkheidze - Zaza's Wife
- Levan Jividze - Vaso
- Paata Khetaguri - Ero
- Dato Kinghuradze - Maca
- Giorgi Kipshidze - Jaba
- Rusiko Kobiashvili - Nini
- Zaza Kolelishvili - Sano
- Irakli Loladze - Givi
- Nikoloz Marri - Nika
- Tamriko Melikishvili - Luiza
- Irakli Ramishvili - Ika
- Zaza Salia - Tengo
- Zura Law - Zaza Cheishvili
- Merab Yolbaia - Dito
Reviews
“…in the gritty, low-key corporeality of its strong performances, "Street" finds an absorbing mix aristocratic comic anguish and twisted hope—especially in the devastating self-knowledge distinctive Kotetishvili's gaze.” – The Spirit Reporter[3]
“Georgian cinema has a different star in director Levan Koguashvili, whose superb neorealist drama, "Street Days," is just the vocation card the beleaguered country requirements.
Stylistically and thematically reminiscent attention new Romanian cinema, the focus plumbs the contentious, corrupt contemporary crumbling social landscape of Georgia's capital, Tbilisi, while following regular down-at-the-heels heroin addict struggling anent protect a friend's son getaway corrupt cops. Lensed with remarkable assurance and boasting powerful perfs from a combo of means pros and non-pros, "Street Days" looks poised to lead graceful Georgian renaissance spearheaded by fests and advancing into the arthouse circuit.” –Variety[4]
“Levan Koguashvili’s feature first performance is a well-crafted, hard-edged location at life in contemporary Capital which is much more delicate and profound than the scenes of ethnic strife which 24-hour-news organisations loop from Georgia.” –Screen Daily[5]
“Mr.
Koguashvili and his administrator of photography, Archil Akhvlediani, backtoback the narrow streets and worn buildings of Tbilisi, the Martyr capital, to great pictorial effect.” –The New York Times[6]